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Supersuckers Keep It Super Simple
Date: 5/20/2003
Author: Larry Queen
Seattle-based rock band, The Supersuckers, are leading
the charge back into the garage with the release of their
tenth album, MotherFucker's Be Trippin', released on their
own Mid-Fi Records. The album is a sleazy muscle car ride
into a world of supreme debauchery — a roiling cauldron
of drunken, bleary-eyed punk rock anthems about everything
from cat-fights to beer to sex to beer to bar fights to
beer again.
So
it's more than a little surprising to catch a glimpse into
the domestic life of Supersucker lead singer/guitarist,
Eddie Spaghetti.
"You
want a waffle, dude," asks Spaghetti to a small child
who is begging for some attention in the background during
this phone interview. "That's my boy. His name is Eddie
also."
Spaghetti
is making toaster waffles for his two-year-old who has been
watching Sponge Bob Squarepants videos this morning, and
Big Eddie says Little Eddie is addicted to the cartoon show.
It's something they have in common as well.
"That
show is hilarious," admits Spaghetti. "Sandy the
Squirrel sings a song about Texas that was written by Junior
Brown. They've had all kinds of great music on there. They've
had a Cramps song on there, and Blag from the Dwarves sings
a song on there." He also admits he would like to write
a song for the show some day, but so far the opportunity
hasn't presented itself.
Immediately
at hand, though, is the next leg of the Supersuckers' tour.
The band is hitting each region of the country in short
three-week bursts. The first leg took them through the Northern
Midwest and Northeast. This next leg begins in Richmond,
and will take them through the rest of the South.
"I'm
looking forward to getting some good eats down there,"
says Spaghetti. That will be welcome perk for this band
that has had to trim away the fat in recent years since
leaving a major label. Gone are the days of touring in the
comfort of a plush tour bus with over forty feet to stretch
out in.
"We're
still "Van-ing" it, dude," says Spaghetti.
"We're trying to work smart." And smart it is,
because the cost of renting a bus would set the band back
about $700 per day.
"When
we had them before, we never thought about how much they
cost because Sub-Pop just paid for it," he continues.
"Of course, now we do because we know we won't ever
see a dime from our Sub-Pop days. We were the recipients
of some really bad money decisions. They spent a lot of
money on our band, and we had a really great run there.
It was a lot of fun. But, as soon as they started realizing
that it wasn't going to pay off to spend their money like
that we started thinking about it ourselves."
Thoughts
of going completely independent were shelved for a short
while, although it remained on their minds.
"We
thought if we were going to be working on a budget then
we should be doing it on our own terms," says Spaghetti.
"It wasn't the reason we left Sub-Pop. We left initially
to be on an even bigger label. We were on Interscope for,
like, a second. We were signed, recorded a record that no
one will ever hear, and then got dropped. That was the catalyst
that made us come to the decision that we could no longer
rely on these outside forces to be as passionate about what
we do as we are. So we started putting the records out on
our own."
That
passion is a passion for simplicity. A stripped down, raw
approach to what Spaghetti refers to as "making up
songs," not songwriting.
"I
mean what do I really write down?" asks Spaghetti.
"The words? That's about it. I mean, Willie Nelson
is a songwriter. Eddie Spaghetti is a song 'maker-upper.'
It's been a part of me ever since I was a kid and I got
my first guitar at twelve. It wasn't about playing really
well and playing leads. It was about making up songs, and
it still it is."
He
says the by-product of a band's limitations is simplicity,
and that is what makes great rock'nroll so visceral.
"I
think of all my favorite bands, and my musical heroes, especially
in rock'nroll, as people that have the most basic of skills
— The Ramones, and even Motorhead, and AC/DC —
they're all criticized for being real simple and base,"
he says. "Those are all the things that I like. (That
style of playing) is born out of necessity. That's what
creates a sound in a band. That's definitely been the case
in our band."
And,
maintaining that level of proficiency (or lack thereof)
is tantamount to Spaghetti.
"You
don't want to grow too much musically, because that can
be the kiss of death," he says. "I always liked
the way Joey Ramone was, he never picked up a guitar unless
he was going to record a record or play a show. He never
practiced, and I sort of like that aesthetic. The challenge
of channeling your creativity through this very basic skill
level is what creates some really great rock'nroll. You
may not know that this is a stupid lick that's been played
a million times, so you're not instantly defeated. You think,
'This is great! I'm going to write a great rock'nroll song.'
And, that's all what all great rock'nroll songs need to
be."
Spaghetti
maintains that making the jump from playing simple, classic
rock'nroll to backing up Willie Nelson on the Nelson tribute
album, Twisted Willie wasn't much of a stretch. Although,
he says country players are a more humble bunch. The two
camps convened to record the Nelson penned, "Bloody
Mary Morning."
"It's
not really the same with country music," says Spaghetti.
"Country music is really simple music to play. But,
there are some really amazing players in the world of country
that don't use it obnoxiously like, say, some Heavy Metal
guitarist might."
Even
though there are tight budgets, cramped touring vehicles,
and any number of other nefarious events that can make being
in a band a trying experience, Spaghetti is still jazzed
about what his band has been able to accomplish over the
past 15 years.
"We
get these moments — these really great experiences,"
he says. "We're not hanging Platinum Records on the
non-existing walls of the houses we don't own. But we do
get to record with Willie Nelson, and go on tour with The
Ramones and Motorhead."
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